THE CULT COLLECTIVE

An exploration of memory, separation, and transformation that reflects the artist's Bedouin heritage. Published in ISSUE XI: COMMON GROUND.

“I spin myself outwards in an evolution that can bring about a change in form without losing the substance." Published in ISSUE X: CYCLES.

A set of tarot cards found on a theatre floor.

In this photo series, a blue dress becomes the only personal relic of Jana Sojka's mother after her death almost a year ago.

"The word ‘confession’ comes from ‘to speak in admission’, that is to say: say to let in."

"As a foreigner in Germany and someone whose early life was influenced by war, (...) I often wonder if I had a normal childhood."

Confessions from a time when there seemed to be no threshold of tomorrow.

The work revolves around notions of language-encryption, memories of nursery rhymes, word-plays and word-textures.

A series of photographs that remind the artist of the feeling before confessing something to someone.